It happens every day. In fact, it is pretty hard to avoid it. There are some things that can only be understood with a slap on the forehead. Things so mind-boggling that one wonders how humans managed to evolve thumbs while being this mentally inept.
The only thing better than watching someone embarrass themselves faux outraging over racism is watching them do it over fake racism.
To cause this sort of stupidity one needs two things: a legitimate complaint that has been overblown and the inverse situation stated in the complaint.
Marvel Entertain provided the latter. Marvel, or rather Disney, has milked the Marvel Comics properties for marketable ideas. Within the last decade, Disney released a dozen films, a network TV show, and several Netflix shows. The latest show is Luke Cage. The show focuses on a former inmate granted super powers as a result of an experiment. The experiment leaves Cage with super strength, which he uses to fight crime.
I have not seen the show, so I am not sure how much was changed from the comics. However, one aspect of the character that Marvel/Disney would not dare change is Cage’s race. Cage is black, and he presents the perfect token for the progressive left. They have clamored about the lack of “diversity” in Marvel properties. Cage addresses this in a rather ingenuous way, as the character was original a play blaxploitation tropes.
The progressive thoroughly congratulated itself for the new show. And then someone had to ruin the party: Continue reading →
I finally saw Disney’s Zootopia. It was the studio’s latest animated film. As the portmanteau suggests, the film is about an animal (only mammals) utopia. Judy Hopps (played by Ginnifer Goodwin) works her entire life to become the first rabbit police officer despite her small stature. She makes to the police force and is assigned to the main branch in Zootopia. However, once she arrives she discovers that the city where anyone can be anything they want to be is not the paradise she expected.
The film seems to be a take on racial politics, however, quite a few feminists took the message to be about gender politics, and I can see why.
Judy is a rabbit. All of her traits — small, weak, cute, emotional — are usually associated with women and femininity. During her training to become a police officer Judy receives plenty of condescending, bigoted remarks that sound similar to what someone might say to a woman (ironically, all of these are delivered by a female polar bear). When Judy gets to Zootopia’s main branch, instead of receiving one of the missing predator cases, Judy is made a traffic cop. Her stellar performance at the academy means nothing. The chief simply wants the token rabbit out of the way.
Much of that can also fits into discussions about race and bias in general, however, I think sticking with the gender angle provides an interesting insight into what the filmmakers actually made. Continue reading →
In a move sure to shock fans of the Mouse House and George Lucas, the Walt Disney Company said Tuesday it has agreed to acquire Lucasfilm for $4.05 billion in cash and stock. The company also announced that it is prepping Star Wars: Episode 7 for release in 2015.
“For the past 35 years, one of my greatest pleasures has been to see Star Wars passed from one generation to the next,” Lucas, the sole shareholder of Lucasfilm, said in a press release announcing the acquisition. “It’s now time for me to pass Star Wars on to a new generation of filmmakers.”
With the acquisition, Disney adds one of the world’s most enduring — and most profitable — sci-fi franchises to its ever-expanding stable. Disney, which has grown from humble animation company to massive media brand, successfully roped in Pixar in 2006 and bought Marvel Entertainment in 2009 (also for a $4 billion price tag). Buying Lucasfilm, Iger said, was in line with the Marvel acquisition: The move essentially means Disney has cornered the market on superhero and sci-fi/fantasy films.